The Metal Coating and Patina Workshop that we hosted June 19-21 was a great success. We thoroughly enjoyed meeting new artists as well as seeing some old friends. California-based artist and instructor, Ron Young, who founded the patina and metal finishing company, Sculpt Nouveau, led the two day workshop. Over 20 students from all over the Southeast attended. The weekend was jam packed with valuable technical information from Ron’s lectures and demos and lots of hands-on experimentation with metal coatings, patinas, molding making and casting materials. Townsend Atelier hopes to host many more workshops in the future. If there is a particular type of workshop you would like to see us do, please info [Email address: info #AT# townsendatelier.com - replace #AT# with @ ]">email us and let us know!

Students listening to Ron Young talk about patinas

Experimenting with different patinas and metal coatings




Samples of different metal coatings and patinas on different objects and surfaces

BRONZING AND PATINATING A PLASTER BUST
A few students brought their own pieces to work on at the workshop.  Chattanooga sculptor, Roses Taylor, metal coated her plaster bust in bronze and applied tiffany green patina.


First, the plaster bust was sprayed with BRONZE METAL C Coating. The first coat is applied and allowed to dry. Then a second coat is applied.

While the second coat of metal coating is still wet, Liver of Sulfur is sprayed on to give the bronze a rich golden hue.

Finally, Traditional Tiffany Green Patina was sprayed on while surface was still wet. The patina developed a gorgeous blue-green color in a very short amount of time. More patinas or waxes can be applied to achieve different patination. Or Permalac lacquer can be applied to stop the patina development process and to protect the surface when desired coloration is achieved.

Sculpture above by Chattanooga artist, Roses Taylor

Based in Chattanooga, Tennessee, John Petrey uses a wide variety of materials in his well-crafted, whimsical, and sometimes symbolic work.

For his Dress Series, Petrey uses Townsend Casting Resin for the torso forms. To achieve the rich green patinas on the copper torsos, he uses Traditional Green Patinas.

Dress Series: resin, wood, copper, mixed media. The piece on the left is 27″ high. The piece on the right is 58″ high.

Part of a Series of Five Dresses commissioned by The Baylor Womens’ Hospital, Fort Worth, TX
Mixed media, resin, & copper. 60″w x 44″h x 1′d

To view more of John Petrey’s work, visit www.johnpetrey.com

Townsend Casting resins are two-part liquid urethane casting system designed for use by sculptors, wood carvers, pattern makers, taxidermists, hobbyists, proto-typers, model makers, special effects professionals, doll makers, jewelers, restorers, to name a few.

Here are a few examples of pieces made with Townsend Casting Resin.

Study of a Female Centaur, by Cessna Decosimo, Chattanooga, TN

A mold was made from the artist’s original piece which was sculpted from clay. To achieve the beautiful bronze patina, the interior of the mold was dusted with bronze powder before the casting resin was poured into it. Once cured and de-molded, the surface was buffed with steel wool and patinaed with our Sculpt Nouveau solvent dyes.

Detail of Study of a Female Centaur

On the left is the original sculpture of a lizard made from stone. A mold was made of it with Knead-a-Mold. Then, Townsend Casting Resin was poured into the mold. The lizard on the right is the resin cast. The white resin lizard could now be painted, patinaed or left as is. To create a bronze surface, bronze powder could have been dusted into the mold prior to pouring in the resin. Visit our “how to” section on our website to read more.

Casting resin was poured into a silicone mold taken from an architectural ornament.

Bronze powder was dusted into a silicone mold, casting resin was then poured into the mold. When de-molded, the bronze bonds to the exterior of the resin and can be buffed or patinaed.

Back of the resin piece showing bronze powder on exterior.

This resin casting was poured into a silicone mold taken from an architectural terra cotta relief. The casting resin was poured into the mold which was dusted with gold-colored powder to give it a luminous surface.

To view all of our products, click here.